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Dryad

by Alex Taylor

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1.
Oread 01:55
Whirl up, sea— whirl your pointed pines, splash your great pines on our rocks, hurl your green over us, cover us with your pools of fir. - H.D.
2.
Moonrise 06:08
Will you glimmer on the sea? Will you fling your spear-head On the shore? What note shall we pitch? We have a song, On the bank we share our arrows— The loosed string tells our note: O flight, Bring her swiftly to our song. She is great, We measure her by the pine-trees. - H.D.
3.
To H.D. 02:18
You were all loveliness to me — Sea-mist, the spring, The blossoming of trees, The wind, Giver-of-Dreams. Then — A wistful silence guarded you about, As in the spring Iris and anemone are guarded. And like a flame Your beauty burned and wrought me Into a bell, Whose single note Was echo of your silence. - Frances Gregg
4.
Ortus 07:18
How have I labored? How have I not labored To bring her soul to birth, To give these elements a name and a centre! She is beautiful as the sunlight, and as fluid. She has no name, and no place. How have I laboured to bring her soul into separation; To give her a name and her being! Surely you are bound and entwined, You are mingled with the elements unborn; I have loved a stream and a shadow. I beseech you enter your life. I beseech you learn to say "I" When I question you: For you are no part, but a whole; No portion, but a being. - Ezra Pound
5.
Flute Song 01:31
Little scavenger away, touch not the door, beat not the portal down, cross not the sill, silent until my song, bright and shrill, breathes out its lay. Little scavenger avaunt, tempt me with jeer and taunt, yet you will wait to-day; for it were surely ill to mock and shout and revel; it were more fit to tell with flutes and calathes, your mother’s praise. - H.D.
6.
Garden 04:32
You are clear O rose, cut in rock, hard as the descent of hail. I could scrape the colour from the petals like spilt dye from a rock. If I could break you I could break a tree. If I could stir I could break a tree— I could break you. - H.D.
7.
Wild Rose 03:27
O wild rose, bend above my face! There is no world- Only the beat of your throat against my eyes. White moss is harsh Against these soft white petals of your feet. It is hard to dream you have followed the wild goats Aslant the perilous hills. I have only the fire of my heart to offer you, O peach-red lily of my love! - Bryher
8.
April 03:32
(Nympharum disjecta membra) Three spirits came to me And drew me apart To where the olive boughs Lay stripped upon the ground: Pale carnage beneath bright mist. - Ezra Pound
9.
We Two 07:01
We two are left: I with small grace reveal distaste and bitterness; you with small patience take my hands; though effortless, you scald their weight as a bowl, lined with embers, wherein droop great petals of white rose, forced by the heat too soon to break. We two are left: as a blank wall, the world, earth and the men who talk, saying their space of life is good and gracious, with eyes blank as that blank surface their ignorance mistakes for final shelter and a resting-place. We two remain: yet by what miracle, searching within the tangles of my brain, I ask again, have we two met within this maze of dædal paths in-wound mid grievous stone, where once I stood alone? - H.D.

about

Dryad, for three vocal soloists, flute, harp, percussion and piano

I. Oread
II. Moonrise
III. To H.D.
IV. Ortus (Birth)
V. Flute Song
VI. Garden
VII. Wild Rose
VIII. April
IX. We Two

H.D. (Hilda Doolittle) is a hugely important literary and cultural figure whose influence is only now beginning to be appreciated, not only as a poet but also as a queer and feminist icon. "Dryad" combines poems written by, to and about H.D. and her lovers and literary collaborators Ezra Pound, Frances Gregg and Bryher. The cycle imagines a coded poetic dialogue between these literary figures, whose personal and professional lives intersected dramatically in the early decades of the twentieth century. Drawing on Classical Greek literary forms and mythological figures (among which, Narcissus and Echo, Artemis, Orpheus, Pygmalion, Dryads, Maenads), these texts call to one another in supplication, desire, possession, contempt, jealousy, struggle and resilience.

Dryad was a name with which other poets referred to H.D. – especially as it appears in the very late Ezra Pound Cantos:

"Dryad, your eyes are like the clouds over Taishan
When some of the rain has fallen
And half remains yet to fall
Dryad, thy peace is like water..."

I am extremely grateful to all involved, but especially to Susan Narucki for commissioning this work and supporting the music of our time, and to Kyle Adam Blair for his special role in bringing it to life.

credits

released November 29, 2023

Christian Cummings, audio engineer
Alex Taylor, composer + conductor

Stefanie Quintin, soprano
Mariana Flores Bucio, soprano
Miguel Zazueta, tenor
Alexander Ishov, flutes
Mitchell Carlstrom, percussion
Tasha Smith Godinez, harp
Kyle Adam Blair, piano

Texts by H.D., Ezra Pound, Bryher, and Frances Gregg
Commissioned by Susan Narucki and kallisti ensemble
Recorded at UC San Diego by Christian Cummings
Cover photo by Alexander Ishov

Many thanks to Susan Narucki, Kyle Adam Blair, Christian Cummings, Andrew Munsey, Rebecca Lloyd-Jones, Yifan Guo, Lei Liang, Alex Stephenson, and all the performers.

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all rights reserved

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about

Alex Taylor Auckland, New Zealand

Alex Taylor is a composer, songwriter and poet originally from New Zealand and currently based in San Diego, California.

Artist photo by Priscilla Northe, Striped Trees Productions.

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